目 (mù): design reading

This English version was translated from the Chinese original with AI assistance. The Chinese text is authoritative.

目

mù · Source: Exploring the Design Mysteries of Chinese Characters, section 5.3.2

In brief: the eye that sees the changes of yin and yang

Common reading

The manuscript gives no common reading for this character, so none is given here.

Design reading

Two horizontals inside 口 depict the eye that can observe the changes of the two modes, yin and yang, in our world; some also read the two horizontals inside 口 as two eyes.

見 貝 自 耳

About this entry

This entry is taken from the edited manuscript of LI Xutong’s Exploring the Design Mysteries of Chinese Characters. The common reading follows traditional philology, the Shuowen Jiezi and other classics, and modern dictionaries; the design reading recovers the rationale of the character’s formation from the meanings of its strokes, the pairing of yin and yang, and the nine-palace layout, following the New Six Scripts. The premise of the design reading, that the generative mechanism of Chinese characters was designed, is an axiom of this system and differs from the evolutionary account usual in philology; the two readings are kept apart, as surface and depth.

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