朝 (zhāo): design reading

This English version was translated from the Chinese original with AI assistance. The Chinese text is authoritative.

朝

zhāo · Source: Exploring the Design Mysteries of Chinese Characters, section 5.3.2

In brief: yin and yang meeting at sunrise

Common reading

The manuscript gives no common reading for this character, so none is given here.

Design reading

The 日 on the left has a 十 above and below it, depicting sunrise as the moment when yin and yang meet; it can also show the rays of the rising sun. Take away the two 十 and it is 明 (míng, “bright”): when the sun rises all is bright, depicting the morning sun rising in the east.

Also explained here: 明

晝 夜 日

About this entry

This entry is taken from the edited manuscript of LI Xutong’s Exploring the Design Mysteries of Chinese Characters. The common reading follows traditional philology, the Shuowen Jiezi and other classics, and modern dictionaries; the design reading recovers the rationale of the character’s formation from the meanings of its strokes, the pairing of yin and yang, and the nine-palace layout, following the New Six Scripts. The premise of the design reading, that the generative mechanism of Chinese characters was designed, is an axiom of this system and differs from the evolutionary account usual in philology; the two readings are kept apart, as surface and depth.

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